Practice with props
Practice with props too. It’s common in a play to see something fall over that shouldn’t, or to hear a sound effect, like a telephone ring or gunshot, go off at the wrong time. Some things are hard to cover up, so sometimes you have to resort to a humourous adjustment of your lines. In other cases, you can ad-lib. For instance, say this was the correct script:
Sally: |
Look James, I really don’t want to talk about it now. Can’t we discuss it at another time? |
James: |
So you’re just going to leave me in the dark are you Sally? I think you cheated on me last nig... |
SFX: |
James is interrupted by the sound of Sally’s phone ringing. |
Sally: |
Look I have to answer the phone. Go away and calm down and I’ll talk to you then. |
Sometimes things can go horribly wrong. For instance, in this situation, two things could happen. The sound effect could come too early, or be delayed; if it was delayed, James and possibly Sally would have to ad lib until the phone rang:
Sally: |
Look James, I really don’t want to talk about it now. Can’t we discuss it at another time? |
James: |
So you’re just going to leave me in the dark are you, Sally? I think you cheated on me last night. I mean, what am I supposed to think? You get home at 3 am, roaring drunk, with your lipstick all smeared? I was awake; I heard you sneak into the spare bedroom; you were so drunk that you bumped into everything. I got up to check on you but you’d already passed out, I was really worr... |
SFX: |
James is finally interrupted by the sound of Sally’s phone ringing. |
Sally: |
Look I have to answer the phone. Go away and calm down and I’ll talk to you then. |
James has had to ad-lib, but has only said stuff that fits in with the general situation. This is where having a general knowledge of the play can help. If you know that James and Sally are living together and that Sally is a drinker, you can make up a story that ties in these pieces of information and sounds plausible to the audience.
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